Sound City Real To Reel Zip

  

Sound City Real To Reel Zip

Sound City Players - Real To Reel (2013). A free Hard rock music downloads of Sound City Players Discography with full MP3 MP3 320 kbit/s album in.rar or.zip. Various Artists - Sound City Real to Reel Vinyl Side A: Heaven and All (Robert Levon Been, Dave Grohl, Peter Hayes); Time Slowing Down (Chris Goss, Tim. Sound City - Real to Reel by Sound City - Real to Reel - Year of production 2013. Listen to Sound City - Real to Reel on Spotify. Sound City - Real to Reel Album 2013 11 songs. Various Artists - Sound City Real to Reel Vinyl Side A: Heaven and All (Robert Levon Been, Dave Grohl, Peter Hayes) Time Slowing Down (Chris Goss, Tim Commerford, Grohl, Brad Wilk) You Can't Fix This (Stevie Nicks, Grohl, Taylor Hawkins, Rami Jaffee) Side B: The Man That Never Was (Rick Springfield, Grohl, Hawkins, Nate Mendel, Pat Smear).

~Release by Various Artists(see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Heaven and All
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
drums (drum set):
Dave Grohl
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Heaven and All
writer:
Robert Levon Been, Dave Grohl and Peter Hayes(US guitarist for Black Rebel Motorcycle Club)
Robert Levon Been, Dave Grohl & Peter Hayes45:28
2Time Slowing Down
additional recording engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
additional engineer:
John Lousteau
engineer:
Jim Scott(US recording engineer and producer)
bass:
Tim Commerford
drums (drum set):
Brad Wilk
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Time Slowing Down
writer:
Tim Commerford, Chris Goss(US record producer and musician), Dave Grohl and Brad Wilk
Chris Goss, Tim Commerford, Dave Grohl & Brad Wilk36:00
3You Can’t Fix This
additional engineer:
John Lousteau
engineer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
mixer:
Chris Lord‐Alge
drums (drum set):
Taylor Hawkins
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
You Can’t Fix This
writer:
Dave Grohl, Taylor Hawkins and Stevie Nicks
Stevie Nicks, Dave Grohl, Taylor Hawkins & Rami Jaffee45:59
4The Man That Never Was
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
bass:
Nate Mendel
drums (drum set):
Taylor Hawkins
guitar:
Pat Smear
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
The Man That Never Was
writer:
Matt Bissonette, Dave Grohl, Taylor Hawkins, Chris Shiflett, Pat Smear and Rick Springfield
Rick Springfield, Dave Grohl, Taylor Hawkins, Nate Mendel & Pat Smear3.53:26
5Your Wife Is Calling
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
drums (drum set):
Taylor Hawkins
guitar:
Pat Smear
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Your Wife Is Calling
writer:
Dave Grohl, Taylor Hawkins and Lee Ving
Lee Ving, Dave Grohl, Taylor Hawkins, Alain Johannes & Pat Smear4.53:22
6From Can to Can’t
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
guitar:
Rick Nielsen
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
From Can to Can’t
writer:
Dave Grohl, Rick Nielsen, Scott Reeder(US bass player, formerly with Kyuss) and Corey Taylor
Corey Taylor, Dave Grohl, Rick Nielsen & Scott Reeder34:53
7Centipede
additional recording engineer, engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
additional engineer:
John Lousteau
producer:
Butch Vig
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Centipede
writer:
Chris Goss(US record producer and musician), Dave Grohl, Josh Homme and Alain Johannes
Josh Homme, Chris Goss, Dave Grohl & Alain Johannes35:11
8A Trick With No Sleeve
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
A Trick With No Sleeve
writer:
Dave Grohl and Alain Johannes
Alain Johannes, Dave Grohl & Josh Homme34:58
9Cut Me Some Slack
additional engineer:
John Lousteau
engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
producer:
Butch Vig
bass guitar:
Krist Novoselic
guitar:
Pat Smear
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Cut Me Some Slack
writer:
Dave Grohl, Paul McCartney(The Beatles), Krist Novoselic and Pat Smear
Paul McCartney, Dave Grohl, Krist Novoselic & Pat Smear44:40
10If I Were Me
recording engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
additional engineer:
John Lousteau
drums (drum set):
Jim Keltner
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
If I Were Me
writer:
Jessy Greene, Dave Grohl, Rami Jaffee and Jim Keltner
Dave Grohl, Jessy Greene, Rami Jaffee & Jim Keltner44:14
11Mantra
recording engineer and mixer:
James Brown(indie-rock engineer James 'Razors' Brown)
additional engineer:
John Lousteau
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States
recording of:
Mantra
writer:
Dave Grohl, Josh Homme and Trent Reznor
Dave Grohl, Josh Homme & Trent Reznor47:43

Credits

CD 1

Sound City Real To Reel Zip File

drums (drum set):
Taylor Hawkins (tracks 3–5)
Brad Wilk (track 2)
bass guitar:
guitar:
Rick Nielsen (track 6)
bass:
Tim Commerford (track 2)
additional engineer:
John Lousteau (tracks 1–11)
additional recording engineer:
James Brown(indie-rock engineer James 'Razors' Brown) (tracks 2, 7)
engineer:
Jim Scott(US recording engineer and producer) (track 2)
James Brown(indie-rock engineer James 'Razors' Brown) (tracks 1, 3–9)
mixer:
James Brown(indie-rock engineer James 'Razors' Brown) (tracks 1–2, 4–11)
producer:
recording engineer:
James Brown(indie-rock engineer James 'Razors' Brown) (tracks 10–11)
writer:
Matt Bissonette (track 4)
Chris Goss(US record producer and musician) (tracks 2, 7)
Dave Grohl (tracks 1–11)
Peter Hayes(US guitarist for Black Rebel Motorcycle Club) (track 1)
Rami Jaffee (track 10)
Jim Keltner (track 10)
Stevie Nicks (track 3)
Krist Novoselic (track 9)
Scott Reeder(US bass player, formerly with Kyuss) (track 6)
Chris Shiflett (track 4)
Rick Springfield (track 4)
Lee Ving (track 5)
recorded at:
Studio 606 in Northridge, Los Angeles, California, United States (tracks 1–11)
recording of:
Centipede (track 7)
From Can to Can’t (track 6)
If I Were Me (track 10)
The Man That Never Was (track 4)
You Can’t Fix This (track 3)

Release

Reel Real Estate

Discogs:https://www.discogs.com/release/4380010[info]
ASIN:DE: B00APKIN1I[info]

Release Group

Wikipedia:en: Sound City: Real to Reel[info]
Discogs:https://www.discogs.com/master/532138[info]
reviews:https://www.bbc.co.uk/music/reviews/cq3q[info]
other databases:http://www.musik-sammler.de/album/594910[info]
Allmusic:https://www.allmusic.com/album/mw0002480578[info]
Wikidata:Q16607813[info]

Sound City Reel To Reel

Monday, 25 February 2013 Written by Graeme Marsh

Unless you’ve been living on the moon recently, you will know that legendary LA studio Sound City is the subject of a must-see documentary devised and directed by Dave Grohl, which was subsequently released on the 1st February.
Since 1969, artists such as Fleetwood Mac, Tom Petty and Guns N’ Roses have worked here as well as numerous other highly acclaimed stars - including Grohl himself, when Nirvana visited to record the universally acclaimed 'Nevermind'. When the studio closed in 2011, the equipment was auctioned off and Grohl purchased several items, including the Neve 8028 analogue mixing desk. That very desk has now been used as part of this project to celebrate both the success of the studio as well as analogue recording itself. A huge cast of stars were recruited to either appear in the documentary or perform on the accompanying soundtrack, each of whom had some history inside these four walls.
It is, therefore, with much irony and even embarrassment that this review is being conducted on a digital download of the album when this project is focused on the stunning capabilities of the original analogue equipment...
The quality of the sound produced on this recording is superb; the clarity is as pure as can be and it is a joy to listen to, but does the content match the level of output?
Three tracks have now been released at monthly intervals; first came much publicised 'Cut Me Some Slack' featuring Sir Paul McCartney with surviving members of Nirvana. This track was the result of a jamming session when all parties first met, sat down and then played together. Special for personnel rather than the song quality, this early release drew worldwide attention to the project and therefore served an important purpose.
Second for release was 'From Can to Can’t' (Corey Taylor, Rick Neilsen, Scott Reeder and Grohl) in January, followed by most recent release 'You Can’t Fix This' – a song written by Grohl many years ago, with sublime vocals provided by Stevie Nicks and also featuring Grohl, Taylor Hawkins and Rami Jaffee. These two tracks raised the standard considerably and helped whet the appetite for the full album.
Depending on your own personal tastes there will be other highlights, but it is inevitable that with such a mix of performers you won’t like everything. For example, proceedings open with 'Heaven and All' - essentially a Black Rebel Motorcycle Club track that could have been lifted from any of their albums (bar 'Howl'), but BMRC are not to everybody’s taste. The same can be said for 'Your Wife is Calling' featuring Lee Ving amongst others – this probably won’t appeal to the masses like many of the other tracks so it is very much a mixed bag from whatever your perspective is.
'Centipede' bears the stamp of Queens of the Stone Age and drifts along casually before finally taking off after 3 minutes in typical QOTSA fashion – another very good track but it’s again unlikely to please all. 'A Trick With No Sleeve' follows with some of the same personnel and this is quite possibly the best track on the album, containing one of the most memorable choruses on the album with guitaring to match.
Closing track 'Mantra' sees Trent Reznor joining Grohl and Josh Homme on what is almost an epic. The track ticks along slowly with some delicious vocals complemented by building guitars; the climax is good but doesn’t quite match the promise that has gone before, with choppy, jagged guitars stabbing away and this unfortunately goes on a little too long, with every repeat of ‘and all of this will never be the same again’ diluting the strength of what went before.
As with all collaborations or compilations involving various artists, the flow of the album is somewhat compromised - the only constant is Grohl himself, usually present in a drumming capacity. All of the artists stamp their own unique mark on the material within and it is occasionally difficult to blend these elements together; indeed, a compilation usually has a distinct advantage over a collaboration in that it generally comprises the best that artists have to offer, whereas this effort contains a lot of great music but not much in the way of big songs – everyone here has recorded far better tracks, which is to be expected - that is not the point of this project.
As long as the listener is not expecting an epic full of the best songs in the history of music just because of the names involved then you won’t be disappointed, and all things considered this is an essential piece of listening and a milestone in the history of rock music, the like of which we are unlikely to ever see again.
For further information on Dave Grohl's Sound City documentary film, click here.
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